Boston United vs Yeovil Town on Film
Small non-league grounds are great for being close to the action. Lots of football fans, I think, get used to watching the sport in vast stadiums from high vantage points or, of course, via a screen with the very best views served up to them!
So visiting Boston United for their National League fixture against Yeovil Town in August 2024 was a great opportunity to take a film camera along to get some shots, knowing there was a very good chance to be very close to the action.
Boston’s Jakeman Stadium is relatively new and whilst home fans have a modest stand and covered terrace to choose to watch the game from, away fans have a narrow covered terrace and it’s from here I watched the game, literally just a couple of metres from the playing surface and maybe ten metres from the corner flag.
I packed my still relatively new (to me) Olympus OM-10 along with a newly acquired and un-tested 50mm lens, 75-150mm and (hoping I wasn’t pushing my look) my 500mm f8 mirror lens.
I had a roll of Kodak Tri-X (TX) 400 black and white film partially shot and wish I’d take another roll as I immediately felt conditions and opportunities were good. A good location with a good view across the pitch and bright, with light cloud, probably enough light even for the 500mm, particularly with 400 film!
My first shot was Boston’s mascot, with the 75-150mm. I didn’t anticipate shooting such a close subject so the lens was a little too long and I had focus quickly, remember there’s no autofocus here! I was really pleased with the practice of reacting quickly and background softness produced from a long lens.
Reviewing the images is interesting to see how there’s a very different look to the shots taken in the second half, as the good light from the first half faded away.
Overall very happy that I’m building a quality and reliable kit around my Olympus OM-10. The OM Zuiko prime lenses are remarkably good and practical, being fairly abundant and well priced. I’m already on the lookout for good 100 & 200mm versions. The 75-150mm adds some convenience and flexibility whilst still retaining reasonable quality. The 500mm is a bit of a novelty but as probably one of the smallest and lightest 500mm lenses available it’s actually pretty good and a lens I’ll continue to get to know.
Film Notes
Kodak Tri-X is a really flexible film and I really haven’t suffered any issues with it, it’s very forgiving. It produces a broad range of tones and an almost limitless range of greys, without the sharp contrast of HP5 which can sometimes be a little jarring.
In good lighting and when well exposed it’s grain is fine and details are sharp, unlike digital photography I do find that lighting changes can have an effect on the overall look and ‘feel’ of shots taken on the same film.
Tri-X is becoming my ‘go-to’ black and white film for it’s reliability and flexibility, particularly when I might consider packing the 500mm lens in my bag!